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There are no stupid questions,only stupid answers & stupid people that give them ![]() ![]() HIPPEEDUDES MEGA MYSTICAL SALE NOW BACK ON & UPDATED!! ![]() http://collectorsedition.org/forums/...611#post150611 |
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#3
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You can do two things that will preserve them.
1. Traditional framing 2. Mount them on dibond with a finish - A mat is important, direct contack between artwork and glass is bad. This especially applies to glossy works. - Acid-free materials all they way. Acid-free isn't just acid-free. - Glass is heavy, epsecially at the size of the Skyrim litho. - Choosing a white mat for a litho isn't enough, as white isn't just white. - The process should be reversible, meaning you can get the litho out of the frame without any damage. It is possible to use a mat without permanently fixing the artwork to a backing board. It can be done with tape or "small corners". Museum glass has these benefits: - Low reflection - Transparency - UV-protection - Authentic color rendering Personally I prefer Dibond with acryllic glass because it completely seals the artwork. In the past I've had bad experiences with framers who left dust under the glass, "gaping" mats etc. And these were all professional... Traditional framing ![]() Dibond with a finish ![]()
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I've got the rest of my life To buy things that I don't need Last edited by rasmusvn; 03-17-2013 at 01:06 PM. |
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All in all, if you want to save yourself time and hassle a frame shop is the way to go, and I think others above have made solid suggestions for how to approach it.
If you're trying to save money, some shops sell lengths of framing pieces where you choose what you need, then you buy corner brackets and assemble yourself. It is less expensive than buying a custom frame, but you don't get many options for the style/color of the frame (pretty much just black, silver, brown, and maybe white -- it's been a number of years since I've looked at them). You can then have a framing shop cut the mat for you, which is pretty inexpensive (plus it will turn out better than trying to do it yourself because most use very precise computerized cutters now). Use archival safe tape to affix your pieces to the matting. With regard to glass, even if it is not in direct sunlight your art is still going to fade. There should be some type of uv barrier between the sun and your art, whether you do that with screens (as mentioned above) or with glass... The dibond route is awesome too, but I don't know what that would cost to send out and have done, might not be a low cost solution. Rasmusvn can you give an idea on this? Last edited by toxicatom5; 03-17-2013 at 01:29 PM. |
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